PHILOSOPHY OF COLOR IN FINE ART PAINTING

Авторы

  • Chori Bekimrov Associate Professor of the department "Mahobatli rangtasvir" of the National Institute of Painting and Design named after Kamoliddin Behzod

Ключевые слова:

colour theory, colour harmony, complementary colours, symbolism, subjective perception, impressionism, existentialism, cultural symbolism.

Аннотация

This article explores the philosophical dimensions of colour in painting, its role as both an aesthetic and symbolic tool that transcends simple visual appeal, how traditional colour theory has provided artists with structural principles, such as colour harmony and contrast, to create dynamic compositions that reflect deeper truths about the experience.

Библиографические ссылки

Riley, Bridget. Color and Perception in Art. Tate Publishing, 2005.

Scully, Sean. Color: An Intellectual History of the Visual Arts. MIT Press, 2019.

"The Entanglement: How Art and Philosophy Make Us What We Are" by Alva Noe. 2023.

Brown, D. H. Losing Grip on the World: From Illusion to Sense-Data. In A. Raftopoulos & P. 2012.

Brown, D. H. On the Dual Referent Approach to Colour Theory. Philosophical Quarterly. 2006.

Загрузки

Опубликован

2024-11-18

Как цитировать

Bekimrov, C. . (2024). PHILOSOPHY OF COLOR IN FINE ART PAINTING. International Bulletin of Engineering and Technology, 4(11), 29–31. извлечено от https://internationalbulletins.com/intjour/index.php/ibet/article/view/1681

Выпуск

Том 4 № 11 (2024): International Bulletin of Engineering and Technology

Раздел

Articles

Лицензия

Лицензия Creative Commons

Это произведение доступно по лицензии Creative Commons «Attribution» («Атрибуция») 4.0 Всемирная.