PHILOSOPHY OF COLOR IN FINE ART PAINTING

Authors

  • Bekimrov Chori Jumayevich Associate Professor of the department "Mahobatli rangtasvir" of the National Institute of Painting and Design named after Kamoliddin Behzod

Keywords:

colour theory, colour harmony, complementary colours, symbolism, subjective perception, impressionism, existentialism, cultural symbolism.

Abstract

This article explores the philosophical dimensions of colour in painting, its role as both an aesthetic and symbolic tool that transcends simple visual appeal, how traditional colour theory has provided artists with structural principles, such as colour harmony and contrast, to create dynamic compositions that reflect deeper truths about the experience.

References

Riley, Bridget. Color and Perception in Art. Tate Publishing, 2005.

Scully, Sean. Color: An Intellectual History of the Visual Arts. MIT Press, 2019.

"The Entanglement: How Art and Philosophy Make Us What We Are" by Alva Noe. 2023.

Brown, D. H. Losing Grip on the World: From Illusion to Sense-Data. In A. Raftopoulos & P. 2012.

Brown, D. H. On the Dual Referent Approach to Colour Theory. Philosophical Quarterly. 2006.

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Published

2024-11-18

How to Cite

Bekimrov, C. . (2024). PHILOSOPHY OF COLOR IN FINE ART PAINTING. International Bulletin of Engineering and Technology, 4(11), 29–31. Retrieved from https://internationalbulletins.com/intjour/index.php/ibet/article/view/1681

Issue

Vol. 4 No. 11 (2024): International Bulletin of Engineering and Technology

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.