THE ROLE OF MODERN PAINTING IN THE VISUAL ARTS OF UZBEKISTAN

Authors

  • Saidov Uktam Radjabbayevyich National Institute of Painting and Design named after Kamoliddin Bekhzod, Faculty of Fine Arts, Senior Lecturer of the Department of Sculpture

Keywords:

modern painting, national identity, Islamic art, Socialist Realism, contemporary art, traditional motifs, cultural heritage, global influences.

Abstract

This article explores the role of modern painting within the visual arts of Uzbekistan, its complex relationship with traditional cultural heritage and contemporary global influences, how vibrant color schemes and symbolic imagery rooted in Uzbekistan’s natural landscape play a central role in shaping the visual language of contemporary painting.

References

Djumaeva, Shirin. "National Revival and Artistic Expression in Uzbekistan: Post-Soviet Trends." Central Asian Survey, 2012.

Solovyova, Svetlana. Uzbek Modern Art: A Survey of Artists and Movements. Moscow: Nauka Press, 2017.

Ibragimov, Lekim. The Silk Road and Contemporary Art: An Artist's Perspective. Tashkent: Academy of Arts of Uzbekistan, 2015.

Adams, Laura L. The Spectacular State: Culture and National Identity in Uzbekistan. Duke University Press, 2010.

Downloads

Published

2024-10-21

How to Cite

Saidov, U. (2024). THE ROLE OF MODERN PAINTING IN THE VISUAL ARTS OF UZBEKISTAN. International Bulletin of Engineering and Technology, 4(10), 50–51. Retrieved from https://internationalbulletins.com/intjour/index.php/ibet/article/view/1655

Issue

Vol. 4 No. 10 (2024): International Bulletin of Engineering and Technology

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.