PROBLEMS OF PIANO PERFORMANCE TECHNIQUE

Authors

  • Ibragimova Sitora Sunnat kizi Uzbek National Music and Art Institute named after Yunus Rajabi Teacher of composition and general piano department

Keywords:

major techniques (chords, arpeggios, octaves, double notes); fine technique (scale transitions, various melismas and exercises); polyphonic technique (the ability to play several voices together); articulation technique (correct execution of blows); pedal technique (the art of using pedals).

Abstract

The technique of playing the piano is a summation of skills, abilities and methods, with the help of which an expressive artistic sound is achieved. Mastering an instrument is not only a technically competent performance of a piece, but also observing its stylistic features, character, and tempo.

References

A.Birmak – “O xudojestvennoy texnike pianista”; M., “Muzika” 1973;

B.Milich – “Education uchenika-pianista”; M., “Kifara” 2002;

E. Liberman – “Rabota nad fortepiannoy texnikoy” 3-izd. M., 2002;

G. Kogan – “Rabota pianista” 3-izd. – M., 1979;

G. Neygauz – “Ob isskustve fortepiannoy igri”; M., “Muzika” 1967;

L.Barenboym – “Muzikalnaya pedagogika I ispolnitelstvo”; L., 1974;

T.Berkman, A.N.Esipova – “Muzikalnaya literatura”; Muzgiz 1958;

Y.Gay – “Texnika fortepiannoy igri”; M., “Budapesht” 1957;

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Published

2024-06-13

How to Cite

Ibragimova, S. (2024). PROBLEMS OF PIANO PERFORMANCE TECHNIQUE. International Bulletin of Engineering and Technology, 4(6), 62–66. Retrieved from https://internationalbulletins.com/intjour/index.php/ibet/article/view/1559