PHILOSOPHICAL THEORY OF COLOR IN VISUAL ARTS

Authors

  • Bekmirov Sherzod Chorievich Tashkent University of Architecture and Construction

Keywords:

visual art, monumental painting, architecture, philosophical perspectives, interdisciplinary approach.

Abstract

This article aims to unravel the philosophical theories surrounding color in the visual arts, shedding light on the diverse perspectives that have shaped artistic practices throughout history, the monumental, decorative, miraculous, easel types of visual arts.

References

R.A. Khudaiberganov. Magnificent painting technique and technology. -T.: "Science and technology", 2015.

Tajiyev B., Isakhajiyeva N. Fundamentals of pencil drawing, painting and composition. Educational guide "Sharq", 2006.

Shoyokubov Sh. Painter. Today's miniature painting of Uzbekistan. - T., 2003.

Abdirasilov S.F., Tolipov N.Kh. "Painting". Study guide "Ilm Ziya" - Tashkent, 2019.

Ankabayev R.T. "Painting" Study guide Tashkent. A reliable partner. 2021

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Published

2023-11-22

How to Cite

Bekmirov , S. . (2023). PHILOSOPHICAL THEORY OF COLOR IN VISUAL ARTS. International Bulletin of Engineering and Technology, 3(11), 80–82. Retrieved from https://internationalbulletins.com/intjour/index.php/ibet/article/view/1184

Issue

Vol. 3 No. 11 (2023): International Bulletin of Engineering and Technology

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.